mixed media Cradled birch base, holographic collage, dyed and painted silk, interference hues, acrylic varnish and medium, 12x12", 8x8", 6x6", 5x5",
Kirstin Ilse at Work
Statement
Painting fire as a metaphor, I work to the limits of the medium exploring thematic meditations on subjects ranging from current events to broader philosophical problems and human struggles such as love, loss, duty and society. The graphic control of a drawn glue line is up against the chemistry and physics of dye in an organic material. Chaos and control is both the nature of the medium, and undeniably the story of the pictures I make. Dye is painted in wet-in-wet working over an area as many as twenty times to move and pull a color into another color and leave them sitting at various heights in the weave of the substrate silk. The steaming process on protein dyes causes the color to move below the surface of the thread, creating the richest most intense color experience possible. The gossamer surface gives undulating tones’ way to light.
Selected Exhibitions and Representation:
Marblehead Art Association, Hooper Mansion, interrupted by Covid, closed to the public. Open or closing dates to be determined.
Floating Worlds, Canvas Fine Arts, Boston, through 4/2020
Small Works Winter Show, National Association of Women Artists, NYC, February 2020
Love and Passion 16, Karyn Mannix Contemporary, East Hampton, NY January 2020
Energy, Maynard ArtSpace, Maynard, MA January 2020
Chroma, Kavanaugh Gallery at the Fine Line Arts Center, St. Charles, IL September 2019
Love and Passion 15, Karyn Mannix Contemporary, East Hampton, NY March 2019, Loading Dock Gallery, Lowell, MA 3/2019
Deception and Deceit- Love and Passion, Karyn Mannix Contemporary, East Hampton, NY 3/2019
Violence Transformed; Symposium on Women and Violence, 4-5/2018 Lesley University, Cambridge
Size Matters, Karyn Mannix Contemporary, East Hampton, NY, 2/ 2018
Fresh Forward, Galatea Fine Art, Boston 12/2017
Medicine Wheel Productions “A Day Without Art, World AIDS Day 2017” Cyclorama Boston 11/2017
Friends, Atlantic Works Gallery, East Boston, MA 7/2017
The Inauguration of the 45th President of the United States, Galatea Fine Art, Boston, 1/2017
Love and Passion, White Room Gallery, East Hampton, NY 2/2016
Fire Paintings: Sea of Love, Galatea Fine Art, Boston MA 10/2015
Violence Transformed, Sky Gallery, Copley Place Boston, 9/2014
Galatea Fine Art Gallery, representation, 2013 - current
The Story of the Creative, See | Exhibition Space, NY 7-8/2013
Rapture: Quarticity, Gallery at the Piano Factory, Boston, MA 6/2011
Making Our Mark, Riverside Gallery, Cambridge, July/August 2010
Martinis and Masterpieces, Volunteer Lawyers for the Arts, 2010, 2012
Belmont Gallery of Art, April 2010
Waterman Gallery "Synergeticists" RISD, 11/2009
Love and Passion, Ashawagh Hall, East Hampton, NY 2/2008, 2/2009, 2/2011
Global Mala, The Boston Center for the Arts, 9/2008
Gallery 51 MCLA, North Adams, MA 11-1/2008
Rhode Island School of Design, Symposium on Form and Morphology, 11/2007
Beech Tree Gallery, Hyannis, MA 2006-07
Arsenal Center for the Arts 2006
Pebbles, East Hampton, NY "War and Peace" Mannix and Sisti, 3/2006
World Wind, Arlington, MA 2006
SOWA Artwalks Boston South End since 2005
Canvas Alley Gallery, Reading, 2004-2005
Art Attack, Somerville 2004
Robert Gatti Presents: LOUD Fashion Show, Piano Crafts Guild Boston 2004
Joe Moakley Memorial Arts Festival, Moakley Park, South Boston 2004
dEmios Gallery, group show, Artists Talk, Belmont, MA 2004
Herb Country, Liliane Chaglassian, Cushing Square, Belmont 2004
The Art Project, 9/11 Memorial Art Show, New York, New York 2002
Boston City Hall Plaza, Boston, Massachusetts 2001
Massachusetts State House, Boston, Massachusetts 2000
ArtVision, Dallas, Paintings 1992
Dallas Visual Arts Center, Texas, 1992
j.l. designs gallery, Dallas; painting, 1990-1991, Bishop Arts District Festival
Media:
Dye painting on silk with mixed media
Training:
Engaged in the discourse on art and culture from birth. I have spent thousands of hours in and auditing various classes, symposia, workshops and studios. I was raised and educated by two artists, one of whom worked for the artist Isamu Noguchi and futurist inventor philosopher, R. Buckminster Fuller, the other a STEM teacher. Some further studies occurred at the School of the Museum of Fine Arts, Harvard University Extension School, Harvard Graduate School of Design, Boston University, Rhode Island School of Design and others too many individual locations and sources to list. I am a dedicated lifelong learner.